Misoon Ghim - Mezzo-soprano: Video

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"Una voce poco fa"

"Dunque io son"

"Contro un cor che accende amore"

"Ah, qual colpo"

Press

"Rosina (Misoon Ghim) brought dramatic sensitivity to the role and dancing eyes and subtle and playful expressions to the remonstrances of Dr. Bartolo, and Almaviva."

- Greer Firestone - Community News (Hockessin, DE)
Nov 14, 2009

"Ghim has a lush mezzo-soprano and displays excellent range in her romantic and comic pieces, particularly the hilarious "music lesson" of Act II and her duets with Figaro and with Dr.Bartolo."

-Tom Butler - Delaware Online
November 2, 2009

"Misoon Ghim's Suzuki was first-rate."

-Bernard Holland - New York Times
March 12, 2007

"Misoon Ghim as Butterfly's loyal Suzuki sang with dramatic sensitivity."

-Clive Barnes - NY Post
March 13, 2007

“Misoon Ghim conveyed Suzuki’s sympathy, compassion and tenderness eloquently through voice and gesture.”

- Sorab Modi, Opera News
January 31, 1998

“Ghim was an excellent choice to play Suzuki. She sang solidly and consistently throughout the evening, giving her role a well-rounded treatment that provided nice support for Butterfly.”

-David Nicholson, Daily Press, Norfolk
October 5, 1997

“As Suzuki, Misoon Ghim conveys a good sense of the character's sorrow.”

-Lesley Valdes, Philadelphia Inquirer
November 13, 1996

“Misoon Ghim made the most of her part as Suzuki with a rich and delicious voice that gave meaning to her every word. And, even when silent, a tilt of her head or the bend of her body sang measures.”

-Mark H. Beers, Philadelphia Weekly
November 13, 1996

“Mezzo-soprano Misoon Ghim's [singing] was at its best in Cherubino's love song, which had occasional overtones of Frederica von Stade."

-Judy Richter, The Times
August 15, 1995

“As Cherubino, Misoon Ghim offered the evenings finest singing, from a captivating 'Non so piu' to a sure, rich toned traversal of 'Voi che sapete'.”

-Joshua Kosman, San Francisco Chronicle
August, 14, 1995

“Marcel Reijians and Misoon Ghim turned the long duet for Count Libenskof and Marquise Melibea into a show-stopper.”

-Opera
September, 1995

“Misoon Ghim’s appealing Cherubino,”

-Robert Baxter, Opera
September, 1994

"I adored Ghim's delightful version of an aria [Voi che sapete] on the anguish and delight of love for the Countess in Act I.”

-Ken Keuffel, Jr., The Philadelphia Inquirer
May 3, 1994

Misoon Ghim - Mezzo-soprano

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