Upcoming Engagement
Misoon Ghim will perform the role of Amneris from Verdi's Opera Aida at Daegu International Opera Festival 2011' on 9/28 (7:30pm) and 10/1 (3:00pm).
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Contact
Misoon Ghim - misoon@misoonghim.com
Management:
John Miller
Pinnacle Artists Management
889 Ninth Avenue Suite No. 1
New York, NY 10019
Tel. (212) 397-7911
Fax. (212) 397-7920
jmiller@pinnaclearts.com
Management:
John Miller
Pinnacle Artists Management
889 Ninth Avenue Suite No. 1
New York, NY 10019
Tel. (212) 397-7911
Fax. (212) 397-7920
jmiller@pinnaclearts.com
Press
"Rosina (Misoon Ghim) brought dramatic sensitivity to the role and dancing eyes and subtle and playful expressions to the remonstrances of Dr. Bartolo, and Almaviva."
- Greer Firestone - Community News (Hockessin, DE)
Nov 14, 2009
"Ghim has a lush mezzo-soprano and displays excellent range in her romantic and comic pieces, particularly the hilarious "music lesson" of Act II and her duets with Figaro and with Dr.Bartolo."
-Tom Butler - Delaware Online
November 2, 2009
"Misoon Ghim's Suzuki was first-rate."
-Bernard Holland - New York Times
March 12, 2007
"Misoon Ghim as Butterfly's loyal Suzuki sang with dramatic sensitivity."
-Clive Barnes - NY Post
March 13, 2007
“Misoon Ghim conveyed Suzuki’s sympathy, compassion and tenderness eloquently through voice and gesture.”
- Sorab Modi, Opera News
January 31, 1998
“Ghim was an excellent choice to play Suzuki. She sang solidly and consistently throughout the evening, giving her role a well-rounded treatment that provided nice support for Butterfly.”
-David Nicholson, Daily Press, Norfolk
October 5, 1997
“As Suzuki, Misoon Ghim conveys a good sense of the character's sorrow.”
-Lesley Valdes, Philadelphia Inquirer
November 13, 1996
“Misoon Ghim made the most of her part as Suzuki with a rich and delicious voice that gave meaning to her every word. And, even when silent, a tilt of her head or the bend of her body sang measures.”
-Mark H. Beers, Philadelphia Weekly
November 13, 1996
“Mezzo-soprano Misoon Ghim's [singing] was at its best in Cherubino's love song, which had occasional overtones of Frederica von Stade."
-Judy Richter, The Times
August 15, 1995
“As Cherubino, Misoon Ghim offered the evenings finest singing, from a captivating 'Non so piu' to a sure, rich toned traversal of 'Voi che sapete'.”
-Joshua Kosman, San Francisco Chronicle
August, 14, 1995
“Marcel Reijians and Misoon Ghim turned the long duet for Count Libenskof and Marquise Melibea into a show-stopper.”
-Opera
September, 1995
“Misoon Ghim’s appealing Cherubino,”
-Robert Baxter, Opera
September, 1994
"I adored Ghim's delightful version of an aria [Voi che sapete] on the anguish and delight of love for the Countess in Act I.”
-Ken Keuffel, Jr., The Philadelphia Inquirer
May 3, 1994
- Greer Firestone - Community News (Hockessin, DE)
Nov 14, 2009
"Ghim has a lush mezzo-soprano and displays excellent range in her romantic and comic pieces, particularly the hilarious "music lesson" of Act II and her duets with Figaro and with Dr.Bartolo."
-Tom Butler - Delaware Online
November 2, 2009
"Misoon Ghim's Suzuki was first-rate."
-Bernard Holland - New York Times
March 12, 2007
"Misoon Ghim as Butterfly's loyal Suzuki sang with dramatic sensitivity."
-Clive Barnes - NY Post
March 13, 2007
“Misoon Ghim conveyed Suzuki’s sympathy, compassion and tenderness eloquently through voice and gesture.”
- Sorab Modi, Opera News
January 31, 1998
“Ghim was an excellent choice to play Suzuki. She sang solidly and consistently throughout the evening, giving her role a well-rounded treatment that provided nice support for Butterfly.”
-David Nicholson, Daily Press, Norfolk
October 5, 1997
“As Suzuki, Misoon Ghim conveys a good sense of the character's sorrow.”
-Lesley Valdes, Philadelphia Inquirer
November 13, 1996
“Misoon Ghim made the most of her part as Suzuki with a rich and delicious voice that gave meaning to her every word. And, even when silent, a tilt of her head or the bend of her body sang measures.”
-Mark H. Beers, Philadelphia Weekly
November 13, 1996
“Mezzo-soprano Misoon Ghim's [singing] was at its best in Cherubino's love song, which had occasional overtones of Frederica von Stade."
-Judy Richter, The Times
August 15, 1995
“As Cherubino, Misoon Ghim offered the evenings finest singing, from a captivating 'Non so piu' to a sure, rich toned traversal of 'Voi che sapete'.”
-Joshua Kosman, San Francisco Chronicle
August, 14, 1995
“Marcel Reijians and Misoon Ghim turned the long duet for Count Libenskof and Marquise Melibea into a show-stopper.”
-Opera
September, 1995
“Misoon Ghim’s appealing Cherubino,”
-Robert Baxter, Opera
September, 1994
"I adored Ghim's delightful version of an aria [Voi che sapete] on the anguish and delight of love for the Countess in Act I.”
-Ken Keuffel, Jr., The Philadelphia Inquirer
May 3, 1994